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AFTERMATH REVIEW SKIN
The sturdy drums on tracks like Top Gun (From The Top) and In My Skin totally scream mosh pit, with lyrical hooks that get stuck in your head almost immediately.īut the real star of the bunch… Country Girl.
The more standard tracks at times do run the risk of blending together, but that doesn’t mean they’re not a total joy.
The innovation even extends to the vocal choices too Pain Now and Parasitic pack a heavy punch, cycling between standard vocals, a sick flow of rap, and metalcore-esque rumbles. Stand-out single Bowser’s Castle has that classic pop-punk edge, with cascading guitars and a solid, drill-inspired chorus as they sing “why push me off the edge when I’ll just go jump off myself?”. This sense of innovation and playfulness is captured repeatedly on Aftermath. The track only continues to delight, with an electronic, gently industrial backdrop to the chorus.
AFTERMATH REVIEW FULL
Not only is it gloriously fun, but it’s exciting – easing you in with a muted dose of chilled lo-fi before bursting into full force, there’s a sense that BELMONT are happy to play with any textures they can get away with. Opening track Fully Sent highlights BELMONT’s strengths. With a solid mix of reliable bangers and some total curveballs, Aftermath is an exciting breath of fresh air. Moving further into the realms of prog-punk, Aftermath is a gruellingly heavy delight taking elements from pop-punk, hardcore and even incorporating a sprinkling of drill, this is a record that refuses to play it safe. Chicago quartet BELMONT have truly re-invented themselves this time around.
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